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Reviews

THE CHRISTIANS

Road Less Traveled Productions

"The debate begins in section four as the Pastor and Associate Pastor (in a riveting performance by Aaron Moss) fire Biblical quotes and heartfelt statements at each other in debate. This is the good stuff: the passion between leader and rising leader...Hayes and Moss are perfectly matched..."

 

"Moss is on fire: where Hayes is polished and maybe too comfortable as the spiritual, Moss is all passion and bravado. It’s elegant to watch."

 

--BuffaloTheatreGuide.com, 4/28/18

THE CHRISTIANS

Road Less Traveled Productions

"Everyone on stage is in tip-top shape, performing in roles they might not be mistaken for but for whom they are obvious interpreters. Hayes is the ideal father figure, charming, firm and affable. Moss is convincing as a future superstar.."

 

--Buffalo News, 4/30/18

THE CHRISTIANS

Road Less Traveled Productions

"His “Associate,” played by Aaron Moss is a perfect foil, younger, hipper, and charismatic in his own powerful beliefs."

 

--Buffalo Rising, 4/28/18

THE CHRISTIANS

Road Less Traveled Productions

"The cast excels from the moment they enter the stage, smiling and waving to the congregants while singing...Aaron Moss is Joshua, who is very angry and troubled by the change in Pastor Paul’s beliefs. He is the embodiment of the person who torments and tortures himself, and his loved ones, into abject misery by his extreme beliefs. He does a fine job as the acolyte who has dreams of his own.

 

--Buffalo Vibe, 4/30/18

WONDER OF THE WORLD

Buffalo Laboratory Theatre

"Aaron Moss does a nice job as Captain Mike, and is probably the most grounded character when it comes to authenticity in this show. Moss has fun with his character and makes his part believable, even if this is a Lindsay-Abaire play."

 

--NYTheatreGuide.com, 9/24/16

THE CITY OF CONVERSATION

Kavinoky Theatre

"And, while we don’t meet him until the very end of the play, Donald Logan, played by Aaron Moss, brings in a fresh breeze of youthful enthusiasm and a promise of a new era. He, the last character to be introduced, like Jean Swift, the first, seems also very approachable, very grounded, providing a good contrast to the angst-ridden Ferris family members."

"While Broadway is the gold standard for theatrical productions and locally the Shaw Festival is perhaps the most consistently excellent, the Kavinoky delivers a night at the theater in that realm. This is an A-level production that, especially for its timeliness, you should not miss."

--Buffalo Rising, 2/28/16

TWELFTH NIGHT

Elm Shakespeare Company

"Aaron Moss’ Orsino is so good that one wishes the character had more scenes than just with Lydia Barnett-Mulligan’s comparatively workaday Viola (in drag as the male Cesario). Moss’ speaking voice is impeccably rich and his instincts never miss, neither in word nor deed."

 

--New Haven Register, 8/26/15

"MEASURE FOR MEASURE"

Elm Shakespeare Company

 

"Aaron Moss, the antic Autolytus from last summer’s Winter’s Tale, gets another plum comic-relief role as Lucio, who unwittingly talks trash to power." 

 

--Scribblers.us, 8/25/11

MEASURE FOR MEASURE

Elm Shakespeare Company

"Also in the cast, award-winning Aaron Moss, another familiar face... returns to provide comic relief as Lucio..."

 

--New Haven Register, 8/12/11

THE WINTER'S TALE

Elm Shakespeare Company

"Best of all is Aaron Moss as the rogue Autolycus. Making his entrance through the audience while singing and hawking his wares, he banters with the customers and spreads goodwill. Autolycus is a thief but, in Moss's hands, he's a charming one, stealing the audience's heart as easily as he steals characters' purses. Sunny, natural, courageous, benevolent and erotic, he's clearly the antithesis of Leontes. "A prize, a prize," he says on first entering. And so he is."

 

--The Hour, 8/25/10

THE WINTER'S TALE

Elm Shakespeare Company

 

"Elsewhere, bold choices pay off handsomely. Recent Yale School of Drama grad Aaron Moss slyly underplays the Feste-like conniving clown role of Autolycus, making him more rogue than roustabout (and with a sultry singing voice to boot)."

 

--New Haven Advocate

THE WINTER'S TALE

Elm Shakespeare Company

"It is as an ensemble that this production shines, thanks to skillful directing and solid performances. Andreassi has recruited a cast which works well together. Yet of particular note are the performances of Mark ZeislerSarah Peterson, and Aaron Moss. Zeisler, as a regal King Leontes, commands the stage, even while he, as the jealous husband, falls apart. Peterson has a unique and powerful delivery style, alternating sharp, stabbing lines with dark, significant pauses. As the accusatory voice, she is first-rate. And Moss turns the rogue Autolycus into a one-man circus."

 

--CTPost, 8/30/10

FAULKNER PROJECT: AS I LAY DYING

UMBC

 

Aaron Moss, as Cash, the almost scientific son, is also a wonder, as he delivers what amounts to a lecture about how to step by step construct a casket, and later must cope with, of all things, a cement cast on his broken leg. He gives the character a grace and dignity that is endearing."

 

--BroadwayWorld.com

LADY DAY: AT EMERSON BAR & GRILL

Yale Cabaret

 

"Aaron Moss... in the role of Billie's fiance and accompanist, Jimmy Powers--Holiday's tunes are performed with an accurate, jazzy soulfulness that at times makes the music seem almost like a third character."

 

"Sad, charming, funny, and inspiring, not to mention filled with infectious, superbly performed jazzy beats..."

 

--Yale Daily News

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